AshTreJinkins makes a case for Matthewdavid and Ras_G’s cosign on ‘IT’S TRASH NOW’
February 19, 2024
The Los Angeles-based artist’s latest album is another jewel placed upon his crown as an Afrofuturist producer.
The Los Angeles-based artist’s latest album is another jewel placed upon his crown as an Afrofuturist producer.
Togetherness and the search for connection is a big reoccurring theme on Brian Walker’s latest album—whose sound swings from bar band to anti-folk to straight indie rock with cohesion.
Elliott Douglas’ Los Angeles-based band’s latest album successfully emerges with songs that do not sacrifice catchiness for darkness.
Brooklyn-based multi-instrumentalist, composer, and producer Jacob Rudin introduces the flute as an instrument that can fit into anything—hip-hop, EDM, psychedelia, smooth jazz, sunshine pop, you name it.
Chaotic, confrontational, cinematic, the Nigerian American artist creates an afro-futuristic film soundtrack you can also play at a club—if you are both brave and ambitious enough.
The Long Island couple’s latest release shreds, grinds, and stomps in a way that suggests that the men who will likely complain as they get bigger are better off stepping aside.
The Tio’tiá:ke/Montréal composer uses his latest album as a means to break the routine of working in isolation while embracing community.
Feral and bloodthirsty, the Los Angeles-based nu-metal band’s latest project is an audio baseball bat through one’s windshield.
The Boston-based producer and composer is back with an otherworldly soundtrack for the possibility of life in space.
The latest album is a sweet hello and an occasional revisit to old times with Daniel Denton.
