What if sometimes, you just want to listen because of the sweet ass riffs and melodies? That isn't a crime, right? Good. Because that is what SAMSON has in spades.

Grapefruit Radio, like Langston's past works, is Langston employing, deconstructing, and twisting the English language and the common perception of rap and hip-hop as if it were the one kind of total freedom he could afford.

On Venus, Maya blends funk, R&B, and a bit of goth to build a world in which she is a gracious queen who could bear her teeth if she so chooses.

Homeboy Sandman packs his lyrics with impressive flows, great one-liners and important lessons over a wide variety of smooth, abstract beats on his new record.

The new project by Simple Kid slowly trades his patchwork approach to psych-pop music for more live takes on old school psychedelia and glam rock.

'Atlantic Salt,' released in October 2021, documents a range of emotions: heartache, anger, acceptance, love. Written entirely by Sisay and produced by Jeremiah Bermel, the record is dreamy and vulnerable, and at times, devastatingly sad. 

The HOODLUM COLLECTIVE member has a knack for capturing different emotions of youth through his music and continues to do that with "CHERRY."

Namir Blade's 'Metropolis' fits into 2022’s hip-hop canon, but its swirling synthesizers and sub-genre juggling suggest how future generations will interpret the popular styles of today. It’s Cadillac music for 2052.

My Shadow is a stylistically diverse bounce between garage rock, blues rock and pop punk.

The music Dark Smith makes is a potent mix of dream pop, grunge and punk with a shadow of goth hovering over the blackened brew.