Me:You and their latest album continue building a world where freedom in music is equal to the total freedom of living life.

“Everyday that goes by is a tribute.” – “No New Deaths Today”

OHYUNG’s album emphasizes that ambient music requires patient ears, because where most hear repetition, others will hear a dive into something aesthetically interesting.

From her music to even her tweets, you really do get the idea that she will strike you cold in the same place where she will kiss the bloody wounds.

“We’re Still Here” can mean anything. It can be both the defiant scream at those who want queer people dead and gone, or it’s a sigh of resignation that they still exist in whatever transphobic country, city or state they reside.

‘FEELING BODY’ is about not only the hell of COVID but a newfound appreciation for one’s own health.

Bulli is a psychedelic pop/soul album that functions a lot like a broken attempt at a smile.

Glitter Moneyyy snarls and roars their way through a rap album that stands for women living in society’s most toxic slabs of shit and dares any patriarchal power that be to stop them.

What if sometimes, you just want to listen because of the sweet ass riffs and melodies? That isn’t a crime, right? Good. Because that is what SAMSON has in spades.

Grapefruit Radio, like Langston’s past works, is Langston employing, deconstructing, and twisting the English language and the common perception of rap and hip-hop as if it were the one kind of total freedom he could afford.