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Mary Sue and the Clementi Sound Appreciation Club question everything on ‘Porcelain Shield, Paper Sword’
Defying categorization at every turn, the collaborative album pushes forward, exploring and experimenting.
Seo crafts a fiery void to dance through on ‘.S.E.O.T.R.O.N.I.C.A.’
The Lagos artist’s latest project is a liftoff into a dimension where harsh noise, electronica, and pop collide into a thick cloud of lo-fi production.
Everything is Psychedelic defy definition throughout ‘The Beautiful Malaise’
The UK duo’s daring debut album could only have emerged from the depths of internet music culture.
On the proggy ‘Rerun,’ Eric Mayson thinks too damn much
Minneapolis-based aviator and music maker Eric Mayson’s latest album explores the nature of a wandering mind through wandering genres.
Interview: shemar is undeniable on ’emerge “n” see’
“It’s not a happy album, but it’s a go outside ass album.”
Y’s self-titled debut EP resembles a sonic hurricane
Elements of jazz, post-punk, and pop swirl around each track, chaotic and frenzied, but, at their core, the London-based band is carefree not careless.
A flare for the snare: drummer & composer Jumpei Kamiya’s ‘Numbnuts’ is a disarmingly cute foray into electro-pop
There’s sugar, spice, and a whole lot of nice on this Japanese artist’s musical metric.
B L A C K I E claims their rightful crown as the ‘Noise God’
The Houston underground cult legend’s latest album is a cathartic outlet for anyone who shares their hunger for a primal scream toward the establishment.
The relentless beaut of nahdoitagain’s style
On ‘the beaut,’ the alternative experimental artist introduces syncopation into his identity as easily as he does in his composition.
PERZona, Austin Wilson, and Phelt search for meaning on gritty ‘Lost Satellite’
The collaborative album isn’t for everyone but for those questioning or on a path to reinventing their fate in life.
