On ‘Soft Echoes,’ Sharada Shashidhar takes you through a jazz adventure of the mind
The Los Angeles-based singer’s latest EP feels like one big survey of the surreal...
Interview: Starling’s ‘2324’ captures the shared moodiness of this fledgling band
“Making any piece of music that has to do with anything at all conceptually...
On ‘SLAZYERZ BALL,’ Kossisko celebrates newfound freedom
The Berkeley-based artist’s latest album is a spirited throwback to the days of 70s...
The afro-funk mothership of Mild Universe explores new frontiers on ‘Everything Must Change’
What’s that smell? Just the funky jackhammer of an album that braids the best...
Mind Mirage’s ‘Chaos Carousel’ heals the mind through music
The Oakland-based artist's latest album sings its way through the never-ending nightmare we’re living...
‘Something For Real’ is a celebration of Kiefer in the live context
The Los Angeles-based pianist, beatmaker, and producer finds the middle ground with the intimacy...
‘Fiction Prediction’ is dystopian futurism according to Planet B
To listen to a punk project is to listen to a dystopian future spat...
‘CHATTY MANDRILL VOLUME III’ is Zachary James Watkins’ exercise in unifying normally clashing sounds
Like the latest album's art, the Oakland experimental producer combines multiple genres without disrupting...
Cain Culto’s ‘O ω O’ brews trouble with a side of social commentary
Juggling afrobeat and electronic with equal ease, Cain Culto's refusal to be stereotyped takes...
Interview with Bad Snacks: the self-taught producer and artist, who’s always growing in her electronic sound
"I finally stopped caring, because at the end of the day, it's just me...
