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Jetski’s ‘The Radiant Radish’ hypnotizes with overstimulation

Jetski’s ‘The Radiant Radish’ hypnotizes with overstimulation

The Illinois-based producer's latest album feels like you’re inside the soundwaves themselves, only witnessing...
SARN is in ‘dark places,’ and honestly, same

SARN is in ‘dark places,’ and honestly, same

'i’m am in dark places' is for when everything in life becomes too much...
Seo crafts a fiery void to dance through on ‘.S.E.O.T.R.O.N.I.C.A.’

Seo crafts a fiery void to dance through on ‘.S.E.O.T.R.O.N.I.C.A.’

The Lagos artist’s latest project is a liftoff into a dimension where harsh noise,...
On ‘Enantiodromia,’ WaBeya re-emerges with a vengeance

On ‘Enantiodromia,’ WaBeya re-emerges with a vengeance

The Richmond-based pop singer embodies, dissects, and repurposes the Bad Bitch archetype on her...
nahdoitagain’s ‘He Laughs at Things He is Confused About,’ and the Beauty of the Undefined

nahdoitagain’s ‘He Laughs at Things He is Confused About,’ and the Beauty of the Undefined

The 18-year-old Nigerian alternative R&B artist’s latest album asks you to inhabit the spaces...
Deantoni Parks takes cosmic jazz further into the stratosphere on ‘Stargate’

Deantoni Parks takes cosmic jazz further into the stratosphere on ‘Stargate’

The renowned drummer and producer pushes his drums to the red signaling chaotic rides...
96 Back’s ‘tender, exit’ sits between in and post-club music

96 Back’s ‘tender, exit’ sits between in and post-club music

With UK nostalgia lashings and dub's haunting emotional chords, 96 Back created something that...
Actress creates his way into another loose concept album with ‘Statik’

Actress creates his way into another loose concept album with ‘Statik’

The London-based artist’s latest album is composed like a real-time journey from a dark...
DIY pop and post-internet poetics refined on BUFFEE’s ‘EP2’

DIY pop and post-internet poetics refined on BUFFEE’s ‘EP2’

The Leeds-based producer’s latest EP documents her evolution from bedroom producer to soundscape architect.
Gas No Light’s ‘Three Moons Later’ is the soundtrack to Black history and it’s future

Gas No Light’s ‘Three Moons Later’ is the soundtrack to Black history and it’s future

The Bristol-based artist builds momentum using ancient African polyrhythms before building galactic synth arrangements.
Coolgirl’s cinematic ‘Road Closures’ leads you to unfamiliar places

Coolgirl’s cinematic ‘Road Closures’ leads you to unfamiliar places

The Dublin-based ambient artist’s latest release doubles as a lost vintage soundtrack to a...
Tongue in the Mind pushes psychedelic music even further on self-titled EP

Tongue in the Mind pushes psychedelic music even further on self-titled EP

The New York-based avant-rock supergroup’s debut EP is an experience in questioning prior understandings...
According to ‘Rollercoaster,’ it’s Cadence Weapon vs. the internet

According to ‘Rollercoaster,’ it’s Cadence Weapon vs. the internet

On his latest hyper pop-inspired release, the Ontario-based rapper speaks computer language and discusses...
‘BOXCUTTER’ finds Ra Washington singing his way out of America’s void

‘BOXCUTTER’ finds Ra Washington singing his way out of America’s void

The prolific rapper, producer, musician, artist, and label boss of Cleveland Tapes’ latest release...
Mind Mirage’s ‘Chaos Carousel’ heals the mind through music

Mind Mirage’s ‘Chaos Carousel’ heals the mind through music

The Oakland-based artist's latest album sings its way through the never-ending nightmare we’re living...
Liv.e wears her cold heart on her sleeve on ‘PAST FUTUR.e’

Liv.e wears her cold heart on her sleeve on ‘PAST FUTUR.e’

The Dallas-based producer and singer’s latest album is a scathing hell ride, reflecting what...
Privativa’s ‘sparkling water’ feels like a faded memory we can play pretend in

Privativa’s ‘sparkling water’ feels like a faded memory we can play pretend in

The Boston-based artist and their debut album is an enigma that sentimentally showcases childhood...
Dawuna’s ‘Southside Bottoms’ lays down high register soul on a bed of introspection

Dawuna’s ‘Southside Bottoms’ lays down high register soul on a bed of introspection

From fending off racism to falsetto radicalism, the latest album by the Baltimore-born, Brooklyn-based...
‘Something For Real’ is a celebration of Kiefer in the live context

‘Something For Real’ is a celebration of Kiefer in the live context

The Los Angeles-based pianist, beatmaker, and producer finds the middle ground with the intimacy...
Finding hope and healing on cehryl’s ‘willow tree’

Finding hope and healing on cehryl’s ‘willow tree’

On her latest dreamy album, the Hong-Kong based singer-songwriter has a gift for making...
Dive into a realm of the minimal, micro, deep, low, and melodic house with Chelita’s ‘So far, so good’

Dive into a realm of the minimal, micro, deep, low, and melodic house with Chelita’s ‘So far, so good’

The Afro-Indigenous Boston-based DJ and producer’s latest EP demonstrates that successful projects can thrive...
‘Fiction Prediction’ is dystopian futurism according to Planet B

‘Fiction Prediction’ is dystopian futurism according to Planet B

To listen to a punk project is to listen to a dystopian future spat...
Interview: Exploring what it means to be human with Maeko

Interview: Exploring what it means to be human with Maeko

An inside look with the Massachusetts-based artist on making the indie pop single, "Don't...
Rilla Force sings of unrequited love on his latest mixtape, ‘KAWAII GIANT’

Rilla Force sings of unrequited love on his latest mixtape, ‘KAWAII GIANT’

The Boston-based producer and artist joins the early aughts tradition of sharing renditions directly...
On ‘CIVIC TAPE,’ J. Fisher builds a world of his own while confronting his demons

On ‘CIVIC TAPE,’ J. Fisher builds a world of his own while confronting his demons

Listening to the Michigan-based rapper, producer, and leader of the Hidden Garden Cult's latest...
Cain Culto’s ‘O ω O’ brews trouble with a side of social commentary

Cain Culto’s ‘O ω O’ brews trouble with a side of social commentary

Juggling afrobeat and electronic with equal ease, Cain Culto's refusal to be stereotyped takes...
enchanted forest explores new sonic territories on ‘Semele’s Tryst’

enchanted forest explores new sonic territories on ‘Semele’s Tryst’

Electronic sounds constructed, melted and bent to their will meet a free-jazz fusion on...
The unholy rites of Ekstasis are declared in ‘Valle Crusis’

The unholy rites of Ekstasis are declared in ‘Valle Crusis’

Created to achieve self-transcendence through sound, the London-based experimental artist’s debut EP is a...
Jonny From Space pushes a renewed sense of what Miami club music can be

Jonny From Space pushes a renewed sense of what Miami club music can be

‘back then I didn’t but now I do’ is the DJ and producer’s debut...
feeo gives a sweeping examination of excess on ‘run over’

feeo gives a sweeping examination of excess on ‘run over’

The London-based experimental-electronic artist's latest EP is a continuation of her talent for translating...
Smooth as butter, Eyndigo’s velveteen ‘Villeyn Era’ will even out your jagged edges

Smooth as butter, Eyndigo’s velveteen ‘Villeyn Era’ will even out your jagged edges

Featuring lush synths and spacey vocals, this full-bodied experimental electronic album transcends its runtime...
Interview with Bad Snacks: the self-taught producer and artist, who’s always growing in her electronic sound

Interview with Bad Snacks: the self-taught producer and artist, who’s always growing in her electronic sound

"I finally stopped caring, because at the end of the day, it's just me...
‘Black Life, Red Planet’ launches gum.mp3’s Afrofuturism into the cosmos

‘Black Life, Red Planet’ launches gum.mp3’s Afrofuturism into the cosmos

Strap yourself in for an interstellar romp through nebulous loops of hyper-kinetic drums and...
Get lost in the warping worlds of Maliyah’s mind on shape-shifting ‘SICK TWISTED AMORE’

Get lost in the warping worlds of Maliyah’s mind on shape-shifting ‘SICK TWISTED AMORE’

The Boston-based artist's latest EP represents the contrast of darkness and light in human...
H31R offers refuge from the madness outside with ‘HeadSpace’

H31R offers refuge from the madness outside with ‘HeadSpace’

The East Coast duo's latest album proves they can easily revitalize the sound of...
Embrace the menacing mania of The Umlauts’ electronic magnum opus ‘Slags’

Embrace the menacing mania of The Umlauts’ electronic magnum opus ‘Slags’

Radiating creativity, the London-based group's debut album revels in experimentation with its fists in...
Rozie Ramati is a success story in using social media as a multimodal creative tool

Rozie Ramati is a success story in using social media as a multimodal creative tool

The Los Angeles-based musician cultivates a world where Greek gods play among us, flowers...
Sweet, sticky, sultry; Namasenda’s ‘Ambrosia’

Sweet, sticky, sultry; Namasenda’s ‘Ambrosia’

On the Stockholm-based musician's latest EP, Namasenda combines Swedish and English in her quest...
Chino Amobi continues bleak world-building with ‘French Extremism’

Chino Amobi continues bleak world-building with ‘French Extremism’

Chaotic, confrontational, cinematic, the Nigerian American artist creates an afro-futuristic film soundtrack you can...
Suave musical stylings steep within Jitwam’s funk-fuelled ‘Third (Deluxe)’

Suave musical stylings steep within Jitwam’s funk-fuelled ‘Third (Deluxe)’

Incendiary one moment, soul-stirring the next—the songs on the Assam-born, Brooklyn-based soul-connoisseur's latest album...
On ‘Fourth Album,’ Markus Floats explores creating with friends

On ‘Fourth Album,’ Markus Floats explores creating with friends

The Tio'tiá:ke/Montréal composer uses his latest album as a means to break the routine...
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