Find consolation and excitement, wallowing in the counter-culture of HARESS’ ‘Skylarks’
The England band straddles the line between tranquil, gradual arrangements and cacophonous ones on...
Interview with Sunglasz Vendor: the self-effacing three-piece soundtracking existential hesitation
“There are two ends of the political compass. There's anarchy and 'Guitar Hero,' and...
Seo crafts a fiery void to dance through on ‘.S.E.O.T.R.O.N.I.C.A.’
The Lagos artist’s latest project is a liftoff into a dimension where harsh noise,...
Everything is Psychedelic defy definition throughout ‘The Beautiful Malaise’
The UK duo’s daring debut album could only have emerged from the depths of...
Y’s self-titled debut EP resembles a sonic hurricane
Elements of jazz, post-punk, and pop swirl around each track, chaotic and frenzied, but,...
nahdoitagain’s ‘He Laughs at Things He is Confused About,’ and the Beauty of the Undefined
The 18-year-old Nigerian alternative R&B artist’s latest album asks you to inhabit the spaces...
Deantoni Parks takes cosmic jazz further into the stratosphere on ‘Stargate’
The renowned drummer and producer pushes his drums to the red signaling chaotic rides...
Interview with Seigfried Komidashi: the visionary artist who is an amalgation of his past, present, and future
“My musical identity is a chaotic patchwork of different points of reference… a way...
Interview: Starling’s ‘2324’ captures the shared moodiness of this fledgling band
“Making any piece of music that has to do with anything at all conceptually...
Who’s the realest in the rap game, if not CENSORED dialogue?
The compelling rapper who doesn’t have to flex her authenticity’s latest album, 'Pyrex Housecat,'...
