On Venus Kii Thomas’ ‘faggot,’ sensualism is xyr revolution
The Baltimore artist's latest opus is an audio meditation on both freedom and one's...
‘CHATTY MANDRILL VOLUME III’ is Zachary James Watkins’ exercise in unifying normally clashing sounds
Like the latest album's art, the Oakland experimental producer combines multiple genres without disrupting...
On ‘CIVIC TAPE,’ J. Fisher builds a world of his own while confronting his demons
Listening to the Michigan-based rapper, producer, and leader of the Hidden Garden Cult's latest...
Cain Culto’s ‘O ω O’ brews trouble with a side of social commentary
Juggling afrobeat and electronic with equal ease, Cain Culto's refusal to be stereotyped takes...
enchanted forest explores new sonic territories on ‘Semele’s Tryst’
Electronic sounds constructed, melted and bent to their will meet a free-jazz fusion on...
The unholy rites of Ekstasis are declared in ‘Valle Crusis’
Created to achieve self-transcendence through sound, the London-based experimental artist’s debut EP is a...
Jonny From Space pushes a renewed sense of what Miami club music can be
‘back then I didn’t but now I do’ is the DJ and producer’s debut...
feeo gives a sweeping examination of excess on ‘run over’
The London-based experimental-electronic artist's latest EP is a continuation of her talent for translating...
Smooth as butter, Eyndigo’s velveteen ‘Villeyn Era’ will even out your jagged edges
Featuring lush synths and spacey vocals, this full-bodied experimental electronic album transcends its runtime...
Interview with Bad Snacks: the self-taught producer and artist, who’s always growing in her electronic sound
"I finally stopped caring, because at the end of the day, it's just me...
