ØKSE pushes jazz even further on self-titled debut
The backwoodz studioz's jazz supergroup blends hip-hop, jazz, and electronica so well that it...
Dawuna’s ‘Southside Bottoms’ lays down high register soul on a bed of introspection
From fending off racism to falsetto radicalism, the latest album by the Baltimore-born, Brooklyn-based...
Just like its mythical half-human and half-bull namesake, Tex Patrello’s debut album is angelic yet primal
‘Minotaur’ draws you in with intricate melodies and ethereal vocals before confronting you with...
‘Fiction Prediction’ is dystopian futurism according to Planet B
To listen to a punk project is to listen to a dystopian future spat...
On Venus Kii Thomas’ ‘faggot,’ sensualism is xyr revolution
The Baltimore artist's latest opus is an audio meditation on both freedom and one's...
‘CHATTY MANDRILL VOLUME III’ is Zachary James Watkins’ exercise in unifying normally clashing sounds
Like the latest album's art, the Oakland experimental producer combines multiple genres without disrupting...
On ‘CIVIC TAPE,’ J. Fisher builds a world of his own while confronting his demons
Listening to the Michigan-based rapper, producer, and leader of the Hidden Garden Cult's latest...
Cain Culto’s ‘O ω O’ brews trouble with a side of social commentary
Juggling afrobeat and electronic with equal ease, Cain Culto's refusal to be stereotyped takes...
enchanted forest explores new sonic territories on ‘Semele’s Tryst’
Electronic sounds constructed, melted and bent to their will meet a free-jazz fusion on...
The unholy rites of Ekstasis are declared in ‘Valle Crusis’
Created to achieve self-transcendence through sound, the London-based experimental artist’s debut EP is a...
